Curator’s marathon : Frac Sud, Mucem, Mac Marseille

by Patrice Joly

Exhibition-Making as Practice (A Journey)

by Agnès Violeau

The techno-vernacular movement (part.2)

by CRO : Félicien Grand d'Esnon et Alexis Loisel-Montambaux

The techno-vernacular movement (pt.1)

by CRO : Félicien Grand d'Esnon et Alexis Loisel-Montambaux

Exposed in AIDS at the Palais de Tokyo : The Living and the Dead at Work

by Pierre Ruault

Matter in Suspense

by Guillaume Gesvret

Poetic and Working Class Narratives, Wilfrid Almendra’s Adélaïde

by Anysia Troin-Guis

VIRAL vs RIVAL

by Jean-Paul Fourmentraux

Nairy Baghramian

by Guillaume Lasserre

New Enumerations

by Guillaume Gesvret

Describe, Lighten

by Guillaume Gesvret

America God Damn

by Dread Scott

Everybody in the place. Clubbing as an antidote to the contemporary art institution?

by Benoit Lamy de la Chapelle

Rebellion Against Extinction

by Adrian Lahoud

Non-fiction Poland

by Margot Grygielewicz

Blackness

by Pedro Morais

Subject matter is the new form

by Platform

The Polyphonic History of Net Art, An Eternal Network? 

by Aude Launay

Poetry is dead, long live poetry!

by Anysia Troin-Guis

For a Predictive Critique

by Camille Paulhan

The Short-Lived Empathy of the Participatory Work

by Francis Baptiste Haselden

Under the Eye of May ‘68

by Laurent Jeanpierre

Craft is Back

by Ingrid Luquet-Gad

Some Frenchmen in New York

by Raphael Brunel

Drifting all dressed up: portrait of the artist as a nomad

by Ingrid Luquet-Gad

Alex Cecchetti, Pierre Paulin, Maxime Rossi

by Raphael Brunel

Skulptur Projekte in Münster 1977-2017

by Valérie Bussmann

Art & Cultural Appropriation

by Ingrid Luquet-Gad

Protective Body

by Benoit Lamy de la Chapelle

Algocurating

by Aude Launay

Of the living

by Raphael Brunel

Where have all those reviews gone?

by Patrice Joly

TV Resists

by Ingrid Luquet-Gad

Michael Snow, Mark Lewis and Stan Douglas

by Fabrice Lauterjung

Post Human

by Benoit Lamy de la Chapelle

Anthropocenia

by Benedicte Ramade

Are We All Migrants?

by Patrice Joly